Mort Drucker

“RIP, Mort Drucker, whose caricatures revealed as much as they ridiculed. In your memory, we will continue to satirize even in dark times, and laugh like Idiots while doing it,” said Mad magazine today on Twitter.

Mort Drucker, a longtime contributor to Mad magazine known for his caricatures of actors, politicians and other celebrities, died Wednesday at his home in Woodbury, New York. He was 91.

His longtime friend, John Reiner, confirmed the death.

Drucker, who specialized in illustrating Mad’s movie and television satires, inspired several generations of cartoonists. “To me, he’s the guy,” caricaturist Drew Friedman said. “I used to imitate his work in Mad when I was a kid. I wanted to be Mort Drucker; I even loved his name.”

Drucker’s facility was best expressed in multi-caricature crowd scenes. His parody of the 1986 Woody Allen film, “Hannah and Her Sisters,” opened with a panel depicting a Thanksgiving dinner that, in addition to most of the movie’s ensemble cast, included caricatures of Allen’s first wife, Louise Lasser; film critics Roger Ebert and Gene Siskel; Mayor Ed Koch of New York; and Mad’s mascot, Alfred E. Neuman. His drawing for a 1970 Time magazine cover, “Battle for the Senate,” now in the National Portrait Gallery, featured a pileup of 15 individually characterized political figures, including President Richard M. Nixon and Vice President Spiro T. Agnew. Mad’s takeoff on the MGM retrospective feature “That’s Entertainment,” published in 1975, required Drucker to caricature more than two dozen stars.

“I think I’ve drawn almost everyone in Hollywood,” he told The New York Times in 2000.

A self-taught freelance cartoonist who had worked on war, western, science fiction and romance comic books as well as personality-driven titles like The Adventures of Dean Martin and Jerry Lewis and The Adventures of Bob Hope, Drucker came to Mad in late 1956, soon after Al Feldstein succeeded Harvey Kurtzman, the magazine’s founder, as editor. Mad had run only occasional TV and movie satires, but Drucker’s arrival “changed everything,” pop-culture critic Grady Hendrix wrote in a 2013 Film Comment appreciation of Mad’s movie parodies.

“No one saw Drucker’s talent,” Hendrix wrote, until he illustrated “The Night That Perry Masonmint Lost a Case,” a takeoff on the television courtroom drama “Perry Mason,” in 1959. It was then, Hendrix maintained, that “the basic movie parody format for the next 44 years was born.”

From the early 1960s on, nearly every issue of Mad included a movie parody, and before Ducker retired he had illustrated 238, more than half of them. The last one, “The Chronic-Ills of Yawnia: Prince Thespian,” appeared in 2008.

Drucker compared his method to creating a movie storyboard: “I become the ‘camera,’” he once said, “and look for angles, lighting, close-ups, wide angles, long shots — just as a director does to tell the story in the most visually interesting way he can.”

Hendrix called Drucker “the cartoonist’s equivalent of an actor’s director” and “a master of drawing hands, faces and body language.” Friedman praised Drucker’s restraint: “He wasn’t really hung up on exaggerating. He was far more subtle and nuanced — interested in how people stood and so on.”

Morris Drucker was born on March 22, 1929, in Brooklyn. His father, Edward, was a businessman who repaired jukeboxes and ran a bar, among other things. His mother, Sarah (Spielvogel) Drucker, was a homemaker. He attended Erasmus Hall High School, where he met his future wife, Barbara Hellerman.

His survivors include his wife; two daughters, Laurie Bachner and Melanie Amsterdam; and three grandchildren.

Drucker was modest about his gifts. “When I started working for Mad, they assigned me TV satires and asked me to draw famous people,” he recalled. “So I just did it. It took me a long time to learn the skills I have, and it was time-consuming. With me, everything is trial and error.”

Drucker also illustrated children’s books and contributed to the vogue for adult coloring books, collaborating with comedy writer Paul Laikin on “The JFK Coloring Book,” which sold hundreds of thousands, if not millions, of copies in 1962. Between 1984 and 1987, he collaborated on the syndicated newspaper strip “Benchley,” which revolved around a fictional assistant to President Ronald Reagan.

Reagan, whom Drucker once caricatured as the Godfather, Moses, Scrooge and a slavering Hyde in a 1982 Mad story, “Ronald Reagan — Now Starring at the White House,” written by Stan Hart, was evidently a fan of the strip and treated Drucker and his wife to a private tour of the White House. (There would be a Ronald Reagan coloring book as well.)

In 2014, Drucker was the first winner of the National Society of Cartoonists’ Medal of Honor for lifetime achievement.

Drucker not only satirized popular culture; he also became a part of it. Appearing on “The Tonight Show” in 1985, actor Michael J. Fox told Johnny Carson that he knew he had made it in show business “when Mort Drucker drew my head.” Director Joe Dante wrote that “there are few thrills in life quite like seeing your own movie parodied in the pages of Mad.”

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